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"A misty morning monster mayhem with a misused misery chaser."

"The Bartender Mixes Magic Light" at Bedlam Theatre.


**Selection**

Bedlam Theatre Ten Minute Play Festival

Offtstage Theater's Barhopper Series

American Globe Turnip Festival

 
"THE BARTENDER MIXES MAGIC LIGHT"
 

 

--Excerpt--

IN THE DARK. A CHIME. LIKE THE SOUND OF A SPOON RINGING OUT ON A GLASS. BEAT.

 

BARTENDER

HOW IS IT?

 

WOMAN

SAME OLD SAME OLD

SLICED DELI TURKEY LOOKS NOTHING LIKE THE REAL BIRD

 

BARTENDER

GET YOU ANOTHER?

 

WOMAN

NO. I’LL TRY SOMETHING DIFFERENT.

 

BARTENDER

SOMETHING LIKE AN ORGASMIC DAY AT THE BEACH?

        SHE SHAKES HER HEAD NO.

SOMETHING LIKE A LONE LADY JOGS THROUGH THE PARK AT SUNSET?

        SHE SHAKES HER HEAD NO.

SOMETHING LIKE AN APRICOT PRUNISH DESSERT PRAIRIE DESERT?

        SHE SHAKES HER HEAD NO.

SOMETHING LIKE…

 

WOMAN

NO. NOTHING LIKE THAT.

SOMETHING LIKE…

 

A RAVAGED RAMPAGE RUN DOWN DREAM

OR AN AFTERSHOCK COLD RAZORBURN CREAM TANGO

OR A MISTY MORNING MONSTER MAYHEM WITH A MISUSED MISERY CHASER.

 

THE BARTENDER NODS.

 

BARTENDER

THAT BAD, HUH?

 

WOMAN

WORSE.

DO YOU HAVE SOMETHING LIKE THAT?

 

BARTENDER

YES.

I DO HAVE SOMETHING LIKE THAT.

 

THE LIGHTS DIM EXCEPT ON THE BARTENDER, WHO RAISES A MIXING GLASS AND BOTTLES. HE POURS AND SHAKES AND STIRS AND SHAKES AND POURS AND STIRS. RAYS OF LIGHT DANCE DOWN ON HIM FROM THE RAFTERS AS HE WORKS.

 

THE BARTENDER STOPS, HOLDING UP THE CONCOCTION. ALL LIGHTS DIM BUT A LONE SPOT ON THE BARTENDER, WHO ANNOUNCES:

 

BARTENDER

THE BARTENDER MIXES MAGIC LIGHT.

 

A CHIME. LIGHTS BACK TO FULL.

A MAN ENTERS.

 

MAN

GET HER ANOTHER AND I’LL HAVE THE SAME

 

THE BARTENDER GRABS TWO GLASSES AND BEGINS POURING. THE MAN SITS BESIDE THE WOMAN AT THE BAR.

 

WOMAN

ARE YOU TRYING TO GET ME MAD OR GET ME FAT OR GET ME DRUNK OR SWEEP ME OFF MY DARK SIDE?

 

MAN

CAN’T A GUY JUST BUY A BEAUTIFUL DRINK A WOMAN?

 

BARTENDER SETS THE DRINKS DOWN IN FRONT OF THEM. THE WOMAN EYES HER DRINK A MOMENT.

 

WOMAN

I DON’T SEE WHY NOT

 

I DON’T SEE WHY

THE SKY

NEED BE SO DARK TONIGHT

 

OUTSIDE

WHERE WE ARE NOT

THE SKY IS DARK.

 

INSIDE

WHERE WE ARE HOT

PRIDE PERPETUALLY DREAMING.

 

MAN

AT THE COAST WE’RE WARMING

AN OCEAN BARBARY BANQUET

CARE TO DINE WITH ME BY THE SEA?

 

WOMAN

I WOULD LOVE TO

 

MAN

Hi. My name is Bob.

 

WOMAN

I’m Annette.

 

MAN

My pleasure.

 

WOMAN

PLEASURE TO PLEASE YOU YOU MEAN

 

MAN

PLEASURE TO EAT YOU YOU MEAN

 

WOMAN

PLEASURE TO MEAN YOU DEMEAN

 

MAN

PLEASURE TO DECEIVE ME YOU MEET

 

WOMAN

PLEASURE TO TREAT ME AS MEAT

ME

 

MAN

MEET ME IN THE MIDDLE WOULD YOU

 

WOMAN

HALF WITTED AS WE ARE

 

MAN

SHALL WE HALF THE WAY TO THE HAVING PLACE?

 

PAUSE.

 

WOMAN

WOMAN, I DO

 

MAN

MAN, I CAN

 

WOMAN

WOMAN, I WISH IT TONIGHT

 

MAN

I WILL

 

WOMAN

WALLOW IN YOUR LUSTERFUL WONDER BRIGHT

 

MAN

SNAP JAW ANGRY SIGH WASHING WORE THIN

 

WOMAN

OUT! OUT! OUT!

 

MAN

TONIGHT THE LIGHT SO BRIGHT

 

AND SO WE BEGIN:

 

WOMAN

AND SO WE BEGIN:

 

They tap glasses.

 

MAN

Do you come here often?

 

WOMAN

That line is so old.

 

MAN

I didn’t mean. I just meant. I’ve never seen you here before.

 

WOMAN

I never go out to bars. Well, almost never.

 

MAN

Why tonight?

 

WOMAN

I was meeting a friend here, but she just called and cancelled.

 

MAN

Is that the truth?

 

WOMAN

No. Not exactly.

 

PAUSE.

 

MAN

AND SO WE BEGIN:

 

WOMAN

AND SO WE BEGIN:

 

MAN

HE SAID I TOLD YOU SO

 

WOMAN                                                   

AND THEN THEY WERE GONE

 

MAN

AND THAT’S WHY I’M LATE

 

WOMAN

AND AFTER I LEFT THE HOSPITAL

 

MAN

AND THERE WERE NO LEFT MORE IN THE DRAWER

 

WOMAN

AND SO I LOOKED FOR HELP

 

MAN

AND SHE SAID I’VE NEVER TOLD YOU THIS BEFORE

 

WOMAN

AND THEN HE TURNED AROUND AND I KNEW HE’D BEEN CRYING

 

MAN

THAT WAS THE LAST TIME MY MOTHER EVER SAID

 

WOMAN

IT HAD ENTERED HIS SPINAL FLUID AND SEEMED LIKE IT MIGHT

 

MAN

MOVE DOWNTOWN WHERE I THOUGHT BUSINESS WOULD BE BETTER

 

WOMAN

AND AFTER SELLING THE HOUSE I THOUGHT I MIGHT AS WELL

 

MAN

BRING BLANKETS BECAUSE THE WEATHER WAS SO BAD THAT DAY—

 

WOMAN

LIGHT CAME JUST IN TIME BECAUSE WE WERE QUITE LOST AND

 

MAN

FOUND THAT I COULD FACE THIS ADDICTION WITH MY FAMILY’S

 

WOMAN

TREE HAD FALLEN OVER IN THE STORM AND SHATTERED

 

MAN

MY HOPES OF EVER FINDING HER AGAIN

 

WOMAN

I CALLED THE HOUSE AND STILL THERE WAS NO ANSWER

 

MAN

ME WHEN I’M SPEAKING TO YOU I SAID YOU’RE ONLY TWELVE YEARS

 

WOMAN

LATER WHEN I WENT TO FLORIDA TO VISIT MY SISTER

 

MAN

WHOM I NEVER FORGAVE FOR HAVING BETRAYED MY TRUST

 

WOMAN

FUND HAD JUST RUN OUT AND THE MEDICAL BILLS WERE

 

MAN

GOING OVER TO SEE THE NEW HOUSE AND

 

WOMAN

WHY DON’T YOU COME OUT AND MEET ME FOR A DRINK?

 

SILENCE. THEY SIP THEIR DRINKS AND TAKE ALL THIS IN.

THEY GROW MORE AND MORE ANXIOUS AND BEGIN TO GULP DOWN THEIR DRINKS.

 

SEEING THIS, THE BARTENDER BEGINS TO POUR INTO A BLENDER.

 

BARTENDER

ROUND TWO!

 

HE THROWS THE SWITCH ON THE BLENDER AND THEY SHOUT OVER ITS ROAR.

 

 

Excerpt from "The Bartender Mixes Magic Light," (C) 2005 Peter Papadopoulos

To read the entire script, email .

BACK                                             Last Love, In the Cool Cool Cool, A Land Without Trees

 

THE BARTENDER MIXES MAGIC LIGHT