John Cole and Kristi Ternes in Bedlam Theatre's production of Lost Love. (Photo Brad Dahlgaard).. LOST LOVE A Global Warming Tragic Comedy
|
TITO
Violence is not the answer to everything.
MITZY
I totally agree.
TITO
Just because some people
are bothering you
harassing you,
calling you faggot
and shit
when you’re not even gay,
well, just because they’re calling me these names
it doesn’t mean I should just crush them
use violence on them,
beat them,
shoot them,
crack their head with a baseball bat.
MITZY
Of course not.
TITO
No, violence is not the answer.
There are other options available to an individual.
And sometimes
what seems like strength
is not really strength at all,
just a traditional way of
masking male insecurity.
MITZY
Uh-huh.
TITO
Because it can often seem easier
to crush something
than learn to coexist with it.
Because then you don’t have to contend with
all of the difficulties that come with this
trying relationship,
which can
in fact
be
a hidden opportunity
for real growth.
MITZY
Hmmn.
TITO
Did you know that boys are more sensitive than girls?
MITZY
Uh, no, I didn’t.
TITO
If you take a baby away from its mother on average a baby boy will cry much faster than its female counterpart.
MITZY
Really.
TITO
They’re much more sensitive.
MITZY
I did not know that.
Pause.
TITO
My mother died when I was eight.
MITZY
Oh. I’m terribly sorry.
TITO
It’s okay. I’m sorry about... your wedding and everything.
Pause.
MITZY
I really can’t think about that right now.
TITO
Of course.
Pause.
Maybe everyone is okay.
MITZY
Maybe.
Long, uncomfortable silence.
MITZY
It’s not you, really. It’s just the pressure.
TITO
Yes, of course.
Who knows whether we will live or die today.
And countless others…
our friends and loved ones
with the grace of God
perhaps still clinging to rooftops
waiting to be rescued.
The elderly
dehydrated
surrounded by dark, swirling waters
crying out for their medicine
clutching at their hearts
their children and grandchildren
no way to help
only to watch over them
and weep
and pray for a helicopter
and offer what little comfort
there is to offer.
A somber silence.
MITZY
Yes, that’s all true. Of course. But I was actually referring to valet parking.
TITO
Oh.
MITZY
That’s why I don’t like it. It has nothing to do with you. The whole pressure of the thing just makes me nervous.
TITO
What pressure? There’s no pressure.
MITZY
Well, yes, yes, yes there is. First of all: you have to turn your car over to a complete stranger.
TITO
A professional valet.
MITZY
A professional valet, yes. But a complete stranger, nonetheless. So, from the time you realize while pulling up that it’s going to be valet parking until you hand off the keys to the valet you have about twelve seconds maybe, if that much, to scan the inside of your car to put away things, hide things—
TITO
WHAT things?
MITZY
Any things that you wouldn’t want a stranger to see.
TITO
A professional valet.
MITZY
A professional valet, yes.
TITO
But a complete stranger.
MITZY
Exactly—A COMPLETE STRANGER.
TITO
A HISPANIC complete stranger.
MITZY
I DIDN’T SAY THAT.
TITO
Who’s lower class and has probably done some time in the big house, right?
MITZY
I didn’t. Say that.
TITO
We haven’t ALL been in jail, you know.
MITZY
ANY complete stranger!
Any complete stranger
that you wouldn’t want to see certain things,
certain things that may be hanging around in your car.
EMBARRASSING things like:
tampons or condoms or sketchy photographs of you in lingerie
that you foolishly let your ex-boyfriend take when you were drunk.
Or VALUABLE things like:
money or gold watches or the pearl necklace that your grandmother gave you when you visited her in the hospital but that you just decided not to wear at the last minute while driving across town because it draws too much attention to your bust line and it really isn’t that kind of an affair.
Or
STRANGE things—
DANGEROUS things—
things that could land you in jail
troublesome things that you didn’t even know you owned
—because you DON’T really own them—
but that might have somehow ended up in you car anyways,
someone left them there,
a friend
or a relative
or someone who wants to frame you
to get back at you
for some perceived slight you did them
two years ago at a party
and you didn’t even know about it
the slight
because you really didn’t mean anything
they misunderstood why you were laughing
you weren’t even listening to their conversation
about how she had just miscarried for the third time
because that’s nothing to laugh about, is it?
It was something totally unrelated that caused you to laugh—
the host of the party
who takes so much pride in being
just so Mister Perfect
had frosting in his hair
that’s what was so funny
not some terrible offense to this other woman
who thought you were mocking her grief
and now—she is framing you,
and she has hidden something in your car to get you into trouble like
a gun,
or heroin,
or a terrorist bomb-making kit.
And so you only have twelve seconds
before you have to give up your car to this valet
this PROFESSIONAL VALET
to find this object and get rid of it,
scanning the area in the car around you
as you slowly pull up to the stand
and there’s not really enough time to check everywhere
nine seconds
the passenger’s seat
five seconds
the front floor
three
to hide this scary thing
two
the glove compartment
one second
a quick check of the backseat—ALL CLEAR!
He opens the door
—shoot, I didn’t get to check the trunk—
I should make up some excuse
some reason to check the trunk,
as he holds out his hand for your keys,
and you don’t want to seem suspicious
but maybe there’s a dead body in there?
He smiles and hands you your ticket.
Maybe the smell coming from the trunk will tip him off
and he’ll call the cops,
and then I’m off to prison
all because of some stupid frosting in some stupid guy’s hair!
But I thank the valet
as I walk away
in spite of myself
even though I HATE VALET PARKING
and I HATE THIS VALET
and I HATE THE WHOLE WORLD RIGHT NOW,
but I thank him
because I don’t want to seem rude
and because I don’t want him to key my car or
take it out joyriding or something
and…
because that’s all there is left to do.
The worst twelve seconds of my day.
That is, until I have to return to valet parking at the end of the affair to pick up my car.
Pause.
TITO
They’ve never actually found a dead body in the trunk of your car, have they?
MITZY
Of course not, that’s not the point!
What I’m trying to tell you—Ohhhh!
TITO
(nodding)
Only found two so far.
MITZY
Ohhhhhhhhhh…
TITO looks up suddenly and starts franticly waving and screaming.
TITO
HEY!
OVER HERE!
WE’RE OVER HERE!
MITZY sees the helicopter and joins in.
MITZY/TITO
OVER HERE!!!
WE’RE OVER HERE!!!
HEEEEEEEELLLP!!!
The sound of the helicopter grows as it moves in closer to them.
(C) 2006 Peter Papadopoulos
|
LOST LOVE
|